DESIGNINGPLAYABLEworlds.

The last tomb of Osiris has been found, but humanity is not alone.

Inspired by Tomb Raider and Dead Space, this adventure-horror level takes the player through an ancient tomb inhabited by dangerous creatures. My goal was a linear experience where lock-and-key challenges drive progression.

1. 01

   Linear Journey, Open & Closed Spaces

   I designed a linear adventure that alternates open areas and enclosed tomb interiors. The route connects exploration, puzzles, and potential encounters into a continuous narrative experience.

2. 02

   Lock-and-Key Progression

   Locks and keys control progression through the tomb. I built puzzles and added collectibles to give players interactive goals along the route.

   

3. 03

   Atmosphere & Procedural Blockout

   I used procedural techniques to speed up blockout creation and establish a consistent visual language. The environment communicates the intended mood and sense of place so artists can understand the direction before final art.

4. 04

   Combat Spaces & Enemy Placeholders

   I placed enemy placeholders to explore potential combat spaces and how threats could occupy the layout. These stand-ins express encounter intent within the blockout.

LEVEL DESIGN STUDY / BLOCKOUT CAPTURES & ORIGINAL DESIGN SKETCH

Konibú, a young archer searching for his missing sister, follows her trail to Oru’s temple.

Inspired by Tomb Raider, Uncharted, and Zelda, this adventure level is divided into two non-linear sections: the temple exterior and interior. I explored how intimate spaces, environmental storytelling, and puzzles could support the search.

1. 01

   Two Non-Linear Sections

   I divided the level into the outside and inside of the temple. Both sections support non-linear exploration, with connections between the approach, temple rooms, and garden shown in the original layout sketch.

   

2. 02

   Intimate Spaces & Narrative

   I explored intimate spaces that invite players to investigate their surroundings and connect with the story. The environment supports Konibú’s search for his sister through exploration rather than a purely linear route.

3. 03

   Locks, Keys & Discoveries

   I created lock-and-key puzzles and placed collectibles and notes throughout the level. These give exploration interactive goals and opportunities to discover narrative details.

4. 04

   Visual Direction for Environment Art

   The blockout establishes the mood and sense of place so artists can understand what the environment is about. Architecture, enclosed spaces, and vegetation communicate the intended character of the temple.

5. 05

   Procedural Vines & Brick Blocks

   I created procedural assets, including vines and brick blocks, to speed up the blockout process while developing the visual language of the level.

LEVEL DESIGN STUDY / BLOCKOUT CAPTURES & ORIGINAL DESIGN SKETCH